Strip stock example comments from kitty, mpd, ncmpcpp, picom and mutt configs
Keep only the active settings; behaviour is unchanged apart from dropping an empty picom rule. kitty keeps its theme markers.
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@@ -1,425 +1,29 @@
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# An example configuration file for MPD.
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music_directory "~/Music"
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# Read the user manual for documentation: http://www.musicpd.org/doc/user/
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playlist_directory "~/.local/share/mpd/playlists"
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db_file "~/.local/share/mpd/database"
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state_file "~/.local/share/mpd/state"
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sticker_file "~/.local/share/mpd/sticker.sql"
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bind_to_address "127.0.0.1"
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bind_to_address "~/.local/share/mpd/socket"
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# Files and directories #######################################################
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restore_paused "yes"
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#
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auto_update "yes"
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# This setting controls the top directory which MPD will search to discover the
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replaygain "auto"
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# available audio files and add them to the daemon's online database. This
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# setting defaults to the XDG directory, otherwise the music directory will be
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# be disabled and audio files will only be accepted over ipc socket (using
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# file:// protocol) or streaming files over an accepted protocol.
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#
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music_directory "~/Music"
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#
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# This setting sets the MPD internal playlist directory. The purpose of this
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# directory is storage for playlists created by MPD. The server will use
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# playlist files not created by the server but only if they are in the MPD
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# format. This setting defaults to playlist saving being disabled.
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#
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playlist_directory "~/.local/share/mpd/playlists"
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#
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# This setting sets the location of the MPD database. This file is used to
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# load the database at server start up and store the database while the
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# server is not up. This setting defaults to disabled which will allow
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# MPD to accept files over ipc socket (using file:// protocol) or streaming
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# files over an accepted protocol.
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#
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db_file "~/.local/share/mpd/database"
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#
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# These settings are the locations for the daemon log files for the daemon.
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# These logs are great for troubleshooting, depending on your log_level
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# settings.
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#
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# The special value "syslog" makes MPD use the local syslog daemon. This
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# setting defaults to logging to syslog, otherwise logging is disabled.
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#
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#log_file "~/.config/mpd/log"
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#
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# This setting sets the location of the file which stores the process ID
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# for use of mpd --kill and some init scripts. This setting is disabled by
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# default and the pid file will not be stored.
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#
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#pid_file "~/.config/mpd/pid"
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#
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# This setting sets the location of the file which contains information about
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# most variables to get MPD back into the same general shape it was in before
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# it was brought down. This setting is disabled by default and the server
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# state will be reset on server start up.
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#
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state_file "~/.local/share/mpd/state"
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#
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# The location of the sticker database. This is a database which
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# manages dynamic information attached to songs.
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#
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sticker_file "~/.local/share/mpd/sticker.sql"
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#
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###############################################################################
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# General music daemon options ################################################
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#
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# This setting specifies the user that MPD will run as. MPD should never run as
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# root and you may use this setting to make MPD change its user ID after
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# initialization. This setting is disabled by default and MPD is run as the
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# current user.
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#
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#user "nobody"
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#
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# This setting specifies the group that MPD will run as. If not specified
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# primary group of user specified with "user" setting will be used (if set).
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# This is useful if MPD needs to be a member of group such as "audio" to
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# have permission to use sound card.
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#
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#group "nogroup"
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#
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# This setting sets the address for the daemon to listen on. Careful attention
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# should be paid if this is assigned to anything other then the default, any.
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# This setting can deny access to control of the daemon.
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#
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# For network
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bind_to_address "127.0.0.1"
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#
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# And for Unix Socket
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bind_to_address "~/.local/share/mpd/socket"
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#
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# This setting is the TCP port that is desired for the daemon to get assigned
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# to.
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#
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#port "6600"
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#
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# This setting controls the type of information which is logged. Available
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# setting arguments are "default", "secure" or "verbose". The "verbose" setting
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# argument is recommended for troubleshooting, though can quickly stretch
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# available resources on limited hardware storage.
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#
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#log_level "default"
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#
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# If you have a problem with your MP3s ending abruptly it is recommended that
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# you set this argument to "no" to attempt to fix the problem. If this solves
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# the problem, it is highly recommended to fix the MP3 files with vbrfix
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# (available from <http://www.willwap.co.uk/Programs/vbrfix.php>), at which
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# point gapless MP3 playback can be enabled.
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#
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#gapless_mp3_playback "yes"
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#
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# Setting "restore_paused" to "yes" puts MPD into pause mode instead
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# of starting playback after startup.
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#
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restore_paused "yes"
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#
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# This setting enables MPD to create playlists in a format usable by other
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# music players.
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#
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#save_absolute_paths_in_playlists "no"
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#
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# This setting defines a list of tag types that will be extracted during the
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# audio file discovery process. The complete list of possible values can be
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# found in the mpd.conf man page.
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#metadata_to_use "artist,album,title,track,name,genre,date,composer,performer,disc"
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#
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# This setting enables automatic update of MPD's database when files in
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# music_directory are changed.
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#
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auto_update "yes"
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#
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# Limit the depth of the directories being watched, 0 means only watch
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# the music directory itself. There is no limit by default.
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#
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#auto_update_depth "3"
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#
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###############################################################################
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# Symbolic link behavior ######################################################
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#
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# If this setting is set to "yes", MPD will discover audio files by following
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# symbolic links outside of the configured music_directory.
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#
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#follow_outside_symlinks "yes"
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#
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# If this setting is set to "yes", MPD will discover audio files by following
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# symbolic links inside of the configured music_directory.
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#
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#follow_inside_symlinks "yes"
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#
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###############################################################################
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# Zeroconf / Avahi Service Discovery ##########################################
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#
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# If this setting is set to "yes", service information will be published with
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# Zeroconf / Avahi.
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#
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#zeroconf_enabled "yes"
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#
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# The argument to this setting will be the Zeroconf / Avahi unique name for
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# this MPD server on the network.
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#
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#zeroconf_name "Music Player"
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#
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###############################################################################
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# Permissions #################################################################
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#
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# If this setting is set, MPD will require password authorization. The password
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# can setting can be specified multiple times for different password profiles.
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#
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#password "password@read,add,control,admin"
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#
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# This setting specifies the permissions a user has who has not yet logged in.
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#
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#default_permissions "read,add,control,admin"
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#
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###############################################################################
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# Database #######################################################################
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#
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#database {
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# plugin "proxy"
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# host "other.mpd.host"
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# port "6600"
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#}
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# Input #######################################################################
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#
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input {
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input {
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plugin "curl"
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plugin "curl"
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# proxy "proxy.isp.com:8080"
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# proxy_user "user"
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# proxy_password "password"
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}
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#
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###############################################################################
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# Audio Output ################################################################
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#
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# MPD supports various audio output types, as well as playing through multiple
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# audio outputs at the same time, through multiple audio_output settings
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# blocks. Setting this block is optional, though the server will only attempt
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# autodetection for one sound card.
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#
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# An example of an ALSA output:
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#
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#audio_output {
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# type "alsa"
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# name "My ALSA Device"
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# device "hw:0,0" # optional
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# mixer_type "software" # optional
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## mixer_device "default" # optional
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## mixer_control "PCM" # optional
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## mixer_index "0" # optional
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#}
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#
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audio_output {
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type "pipewire"
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name "Pipewire MPD"
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}
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}
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audio_output {
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audio_output {
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type "fifo"
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type "pipewire"
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name "my_fifo"
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name "Pipewire MPD"
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path "/tmp/mpd.fifo"
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format "44100:16:2"
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}
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}
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#
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# An example of an OSS output:
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#
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#audio_output {
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# type "oss"
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# name "My OSS Device"
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## device "/dev/dsp" # optional
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## mixer_type "hardware" # optional
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## mixer_device "/dev/mixer" # optional
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## mixer_control "PCM" # optional
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#}
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#
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# An example of a shout output (for streaming to Icecast):
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#
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#audio_output {
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# type "shout"
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# encoding "ogg" # optional
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# name "My Shout Stream"
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# host "localhost"
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# port "8000"
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# mount "/mpd.ogg"
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# password "hackme"
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# quality "5.0"
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# bitrate "128"
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# format "44100:16:1"
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## protocol "icecast2" # optional
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## user "source" # optional
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## description "My Stream Description" # optional
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## url "http://example.com" # optional
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## genre "jazz" # optional
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## public "no" # optional
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## timeout "2" # optional
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## mixer_type "software" # optional
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#}
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#
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# An example of a recorder output:
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#
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#audio_output {
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# type "recorder"
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# name "My recorder"
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# encoder "vorbis" # optional, vorbis or lame
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# path "/var/lib/mpd/recorder/mpd.ogg"
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## quality "5.0" # do not define if bitrate is defined
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# bitrate "128" # do not define if quality is defined
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# format "44100:16:1"
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#}
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#
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# An example of a httpd output (built-in HTTP streaming server):
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#
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#audio_output {
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# type "httpd"
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# name "My HTTP Stream"
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# encoder "vorbis" # optional, vorbis or lame
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# port "8000"
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# bind_to_address "0.0.0.0" # optional, IPv4 or IPv6
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## quality "5.0" # do not define if bitrate is defined
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# bitrate "128" # do not define if quality is defined
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# format "44100:16:1"
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# max_clients "0" # optional 0=no limit
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#}
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#
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# An example of a pulseaudio output (streaming to a remote pulseaudio server)
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#
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#audio_output {
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# type "pulse"
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# name "My Pulse Output"
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## server "remote_server" # optional
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## sink "remote_server_sink" # optional
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#}
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||||||
#
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# An example of a winmm output (Windows multimedia API).
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#
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#audio_output {
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# type "winmm"
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# name "My WinMM output"
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## device "Digital Audio (S/PDIF) (High Definition Audio Device)" # optional
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# or
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## device "0" # optional
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|
||||||
## mixer_type "hardware" # optional
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|
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#}
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|
||||||
#
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# An example of an openal output.
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#
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#audio_output {
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# type "openal"
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# name "My OpenAL output"
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|
||||||
## device "Digital Audio (S/PDIF) (High Definition Audio Device)" # optional
|
|
||||||
#}
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|
||||||
#
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|
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## Example "pipe" output:
|
|
||||||
#
|
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||||||
#audio_output {
|
|
||||||
# type "pipe"
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|
||||||
# name "my pipe"
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|
||||||
# command "aplay -f cd 2>/dev/null"
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||||||
## Or if you're want to use AudioCompress
|
|
||||||
# command "AudioCompress -m | aplay -f cd 2>/dev/null"
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|
||||||
## Or to send raw PCM stream through PCM:
|
|
||||||
# command "nc example.org 8765"
|
|
||||||
# format "44100:16:2"
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|
||||||
#}
|
|
||||||
#
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||||||
## An example of a null output (for no audio output):
|
|
||||||
#
|
|
||||||
#audio_output {
|
|
||||||
# type "null"
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|
||||||
# name "My Null Output"
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|
||||||
# mixer_type "none" # optional
|
|
||||||
#}
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|
||||||
#
|
|
||||||
# If MPD has been compiled with libsamplerate support, this setting specifies
|
|
||||||
# the sample rate converter to use. Possible values can be found in the
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|
||||||
# mpd.conf man page or the libsamplerate documentation. By default, this is
|
|
||||||
# setting is disabled.
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|
||||||
#
|
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||||||
#samplerate_converter "Fastest Sinc Interpolator"
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|
||||||
#
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|
||||||
###############################################################################
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|
||||||
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|
||||||
|
|
||||||
# Normalization automatic volume adjustments ##################################
|
|
||||||
#
|
|
||||||
# This setting specifies the type of ReplayGain to use. This setting can have
|
|
||||||
# the argument "off", "album", "track" or "auto". "auto" is a special mode that
|
|
||||||
# chooses between "track" and "album" depending on the current state of
|
|
||||||
# random playback. If random playback is enabled then "track" mode is used.
|
|
||||||
# See <http://www.replaygain.org> for more details about ReplayGain.
|
|
||||||
# This setting is off by default.
|
|
||||||
#
|
|
||||||
replaygain "auto"
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|
||||||
#
|
|
||||||
# This setting sets the pre-amp used for files that have ReplayGain tags. By
|
|
||||||
# default this setting is disabled.
|
|
||||||
#
|
|
||||||
#replaygain_preamp "0"
|
|
||||||
#
|
|
||||||
# This setting sets the pre-amp used for files that do NOT have ReplayGain tags.
|
|
||||||
# By default this setting is disabled.
|
|
||||||
#
|
|
||||||
#replaygain_missing_preamp "0"
|
|
||||||
#
|
|
||||||
# This setting enables or disables ReplayGain limiting.
|
|
||||||
# MPD calculates actual amplification based on the ReplayGain tags
|
|
||||||
# and replaygain_preamp / replaygain_missing_preamp setting.
|
|
||||||
# If replaygain_limit is enabled MPD will never amplify audio signal
|
|
||||||
# above its original level. If replaygain_limit is disabled such amplification
|
|
||||||
# might occur. By default this setting is enabled.
|
|
||||||
#
|
|
||||||
#replaygain_limit "yes"
|
|
||||||
#
|
|
||||||
# This setting enables on-the-fly normalization volume adjustment. This will
|
|
||||||
# result in the volume of all playing audio to be adjusted so the output has
|
|
||||||
# equal "loudness". This setting is disabled by default.
|
|
||||||
#
|
|
||||||
#volume_normalization "no"
|
|
||||||
#
|
|
||||||
###############################################################################
|
|
||||||
|
|
||||||
# Character Encoding ##########################################################
|
|
||||||
#
|
|
||||||
# If file or directory names do not display correctly for your locale then you
|
|
||||||
# may need to modify this setting.
|
|
||||||
#
|
|
||||||
#filesystem_charset "UTF-8"
|
|
||||||
#
|
|
||||||
# This setting controls the encoding that ID3v1 tags should be converted from.
|
|
||||||
#
|
|
||||||
#id3v1_encoding "ISO-8859-1"
|
|
||||||
#
|
|
||||||
###############################################################################
|
|
||||||
|
|
||||||
|
|
||||||
# SIDPlay decoder #############################################################
|
|
||||||
#
|
|
||||||
# songlength_database:
|
|
||||||
# Location of your songlengths file, as distributed with the HVSC.
|
|
||||||
# The sidplay plugin checks this for matching MD5 fingerprints.
|
|
||||||
# See http://www.c64.org/HVSC/DOCUMENTS/Songlengths.faq
|
|
||||||
#
|
|
||||||
# default_songlength:
|
|
||||||
# This is the default playing time in seconds for songs not in the
|
|
||||||
# songlength database, or in case you're not using a database.
|
|
||||||
# A value of 0 means play indefinitely.
|
|
||||||
#
|
|
||||||
# filter:
|
|
||||||
# Turns the SID filter emulation on or off.
|
|
||||||
#
|
|
||||||
#decoder {
|
|
||||||
# plugin "sidplay"
|
|
||||||
# songlength_database "/media/C64Music/DOCUMENTS/Songlengths.txt"
|
|
||||||
# default_songlength "120"
|
|
||||||
# filter "true"
|
|
||||||
#}
|
|
||||||
#
|
|
||||||
###############################################################################
|
|
||||||
|
|
||||||
|
# Feeds ncmpcpp's visualizer
|
||||||
|
audio_output {
|
||||||
|
type "fifo"
|
||||||
|
name "my_fifo"
|
||||||
|
path "/tmp/mpd.fifo"
|
||||||
|
format "44100:16:2"
|
||||||
|
}
|
||||||
|
|||||||
@@ -1,114 +1,15 @@
|
|||||||
# -*-muttrc-*-
|
# -*-muttrc-*-
|
||||||
#
|
|
||||||
# Command formats for gpg.
|
|
||||||
#
|
|
||||||
# Some of the older commented-out versions of the commands use gpg-2comp from:
|
|
||||||
# http://70t.de/download/gpg-2comp.tar.gz
|
|
||||||
#
|
|
||||||
# %p The empty string when no passphrase is needed,
|
|
||||||
# the string "PGPPASSFD=0" if one is needed.
|
|
||||||
#
|
|
||||||
# This is mostly used in conditional % sequences.
|
|
||||||
#
|
|
||||||
# %f Most PGP commands operate on a single file or a file
|
|
||||||
# containing a message. %f expands to this file's name.
|
|
||||||
#
|
|
||||||
# %s When verifying signatures, there is another temporary file
|
|
||||||
# containing the detached signature. %s expands to this
|
|
||||||
# file's name.
|
|
||||||
#
|
|
||||||
# %a In "signing" contexts, this expands to the value of the
|
|
||||||
# configuration variable $pgp_sign_as, if set, otherwise
|
|
||||||
# $pgp_default_key. You probably need to
|
|
||||||
# use this within a conditional % sequence.
|
|
||||||
#
|
|
||||||
# %r In many contexts, mutt passes key IDs to pgp. %r expands to
|
|
||||||
# a list of key IDs.
|
|
||||||
|
|
||||||
|
|
||||||
# Section A: Key Management
|
|
||||||
|
|
||||||
# The default key for encryption (used by $pgp_self_encrypt and
|
|
||||||
# $postpone_encrypt).
|
|
||||||
#
|
|
||||||
# It will also be used for signing unless $pgp_sign_as is set to a
|
|
||||||
# key.
|
|
||||||
#
|
|
||||||
# Unless your key does not have encryption capability, uncomment this
|
|
||||||
# line and replace the keyid with your own.
|
|
||||||
#
|
|
||||||
# set pgp_default_key="0x12345678"
|
|
||||||
|
|
||||||
# If you have a separate signing key, or your key _only_ has signing
|
|
||||||
# capability, uncomment this line and replace the keyid with your
|
|
||||||
# signing keyid.
|
|
||||||
#
|
|
||||||
# set pgp_sign_as="0x87654321"
|
|
||||||
|
|
||||||
|
|
||||||
# Section B: Commands
|
|
||||||
|
|
||||||
# Note that we explicitly set the comment armor header since GnuPG, when used
|
|
||||||
# in some localiaztion environments, generates 8bit data in that header, thereby
|
|
||||||
# breaking PGP/MIME.
|
|
||||||
|
|
||||||
# decode application/pgp
|
|
||||||
set pgp_decode_command="gpg --status-fd=2 %?p?--passphrase-fd 0? --no-verbose --quiet --batch --output - %f"
|
set pgp_decode_command="gpg --status-fd=2 %?p?--passphrase-fd 0? --no-verbose --quiet --batch --output - %f"
|
||||||
|
|
||||||
# verify a pgp/mime signature
|
|
||||||
set pgp_verify_command="gpg --status-fd=2 --no-verbose --quiet --batch --output - --verify %s %f"
|
set pgp_verify_command="gpg --status-fd=2 --no-verbose --quiet --batch --output - --verify %s %f"
|
||||||
|
|
||||||
# decrypt a pgp/mime attachment
|
|
||||||
set pgp_decrypt_command="gpg --status-fd=2 %?p?--passphrase-fd 0? --no-verbose --quiet --batch --output - %f"
|
set pgp_decrypt_command="gpg --status-fd=2 %?p?--passphrase-fd 0? --no-verbose --quiet --batch --output - %f"
|
||||||
|
|
||||||
# create a pgp/mime signed attachment
|
|
||||||
# set pgp_sign_command="gpg-2comp --comment '' --no-verbose --batch --output - %?p?--passphrase-fd 0? --armor --detach-sign --textmode %?a?-u %a? %f"
|
|
||||||
set pgp_sign_command="gpg --no-verbose --batch --quiet --output - %?p?--passphrase-fd 0? --armor --detach-sign --textmode %?a?-u %a? %f"
|
set pgp_sign_command="gpg --no-verbose --batch --quiet --output - %?p?--passphrase-fd 0? --armor --detach-sign --textmode %?a?-u %a? %f"
|
||||||
|
|
||||||
# create a application/pgp signed (old-style) message
|
|
||||||
# set pgp_clearsign_command="gpg-2comp --comment '' --no-verbose --batch --output - %?p?--passphrase-fd 0? --armor --textmode --clearsign %?a?-u %a? %f"
|
|
||||||
set pgp_clearsign_command="gpg --no-verbose --batch --quiet --output - %?p?--passphrase-fd 0? --armor --textmode --clearsign %?a?-u %a? %f"
|
set pgp_clearsign_command="gpg --no-verbose --batch --quiet --output - %?p?--passphrase-fd 0? --armor --textmode --clearsign %?a?-u %a? %f"
|
||||||
|
|
||||||
# create a pgp/mime encrypted attachment
|
|
||||||
# set pgp_encrypt_only_command="pgpewrap gpg-2comp -v --batch --output - --encrypt --textmode --armor --always-trust -- -r %r -- %f"
|
|
||||||
set pgp_encrypt_only_command="pgpewrap gpg --batch --quiet --no-verbose --output - --encrypt --textmode --armor --always-trust -- -r %r -- %f"
|
set pgp_encrypt_only_command="pgpewrap gpg --batch --quiet --no-verbose --output - --encrypt --textmode --armor --always-trust -- -r %r -- %f"
|
||||||
|
|
||||||
# create a pgp/mime encrypted and signed attachment
|
|
||||||
# set pgp_encrypt_sign_command="pgpewrap gpg-2comp %?p?--passphrase-fd 0? -v --batch --output - --encrypt --sign %?a?-u %a? --armor --always-trust -- -r %r -- %f"
|
|
||||||
set pgp_encrypt_sign_command="pgpewrap gpg %?p?--passphrase-fd 0? --batch --quiet --no-verbose --textmode --output - --encrypt --sign %?a?-u %a? --armor --always-trust -- -r %r -- %f"
|
set pgp_encrypt_sign_command="pgpewrap gpg %?p?--passphrase-fd 0? --batch --quiet --no-verbose --textmode --output - --encrypt --sign %?a?-u %a? --armor --always-trust -- -r %r -- %f"
|
||||||
|
|
||||||
# import a key into the public key ring
|
|
||||||
set pgp_import_command="gpg --no-verbose --import %f"
|
set pgp_import_command="gpg --no-verbose --import %f"
|
||||||
|
|
||||||
# export a key from the public key ring
|
|
||||||
set pgp_export_command="gpg --no-verbose --export --armor %r"
|
set pgp_export_command="gpg --no-verbose --export --armor %r"
|
||||||
|
|
||||||
# verify a key
|
|
||||||
set pgp_verify_key_command="gpg --verbose --batch --fingerprint --check-sigs %r"
|
set pgp_verify_key_command="gpg --verbose --batch --fingerprint --check-sigs %r"
|
||||||
|
|
||||||
# read in the public key ring
|
|
||||||
# note: the second --with-fingerprint adds fingerprints to subkeys
|
|
||||||
set pgp_list_pubring_command="gpg --no-verbose --batch --quiet --with-colons --with-fingerprint --with-fingerprint --list-keys %r"
|
set pgp_list_pubring_command="gpg --no-verbose --batch --quiet --with-colons --with-fingerprint --with-fingerprint --list-keys %r"
|
||||||
|
|
||||||
# read in the secret key ring
|
|
||||||
# note: the second --with-fingerprint adds fingerprints to subkeys
|
|
||||||
set pgp_list_secring_command="gpg --no-verbose --batch --quiet --with-colons --with-fingerprint --with-fingerprint --list-secret-keys %r"
|
set pgp_list_secring_command="gpg --no-verbose --batch --quiet --with-colons --with-fingerprint --with-fingerprint --list-secret-keys %r"
|
||||||
|
|
||||||
# fetch keys
|
|
||||||
# set pgp_getkeys_command="pkspxycwrap %r"
|
|
||||||
|
|
||||||
# pattern for good signature - may need to be adapted to locale!
|
|
||||||
|
|
||||||
# set pgp_good_sign="^gpgv?: Good signature from "
|
|
||||||
|
|
||||||
# OK, here's a version which uses gnupg's message catalog:
|
|
||||||
# set pgp_good_sign="`gettext -d gnupg -s 'Good signature from "' | tr -d '"'`"
|
|
||||||
|
|
||||||
# This version uses --status-fd messages
|
|
||||||
set pgp_good_sign="^\\[GNUPG:\\] GOODSIG"
|
set pgp_good_sign="^\\[GNUPG:\\] GOODSIG"
|
||||||
|
|
||||||
# pattern to verify a decryption occurred
|
|
||||||
# This is now deprecated by pgp_check_gpg_decrypt_status_fd:
|
|
||||||
# set pgp_decryption_okay="^\\[GNUPG:\\] DECRYPTION_OKAY"
|
|
||||||
set pgp_check_gpg_decrypt_status_fd
|
set pgp_check_gpg_decrypt_status_fd
|
||||||
|
|
||||||
|
|||||||
@@ -1,116 +1,29 @@
|
|||||||
# This is a complete list of sidebar-related configuration.
|
|
||||||
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
# VARIABLES - shown with their default values
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
|
|
||||||
# Should the Sidebar be shown?
|
|
||||||
set sidebar_visible = yes
|
set sidebar_visible = yes
|
||||||
|
|
||||||
# How wide should the Sidebar be in screen columns?
|
|
||||||
# Note: Some characters, e.g. Chinese, take up two columns each.
|
|
||||||
set sidebar_width = 20
|
set sidebar_width = 20
|
||||||
|
|
||||||
# Should the mailbox paths be abbreviated?
|
|
||||||
set sidebar_short_path = yes
|
set sidebar_short_path = yes
|
||||||
|
|
||||||
# When abbreviating mailbox path names, use any of these characters as path
|
|
||||||
# separators. Only the part after the last separators will be shown.
|
|
||||||
# For file folders '/' is good. For IMAP folders, often '.' is useful.
|
|
||||||
set sidebar_delim_chars = '/.'
|
set sidebar_delim_chars = '/.'
|
||||||
|
|
||||||
# If the mailbox path is abbreviated, should it be indented?
|
|
||||||
set sidebar_folder_indent = no
|
set sidebar_folder_indent = no
|
||||||
|
|
||||||
# Indent mailbox paths with this string.
|
|
||||||
set sidebar_indent_string = ' '
|
set sidebar_indent_string = ' '
|
||||||
|
|
||||||
# Make the Sidebar only display mailboxes that contain new, or flagged,
|
|
||||||
# mail.
|
|
||||||
set sidebar_new_mail_only = no
|
set sidebar_new_mail_only = no
|
||||||
|
|
||||||
# Any mailboxes that are whitelisted will always be visible, even if the
|
|
||||||
# sidebar_new_mail_only option is enabled.
|
|
||||||
sidebar_whitelist '/home/user/mailbox1'
|
sidebar_whitelist '/home/user/mailbox1'
|
||||||
sidebar_whitelist '/home/user/mailbox2'
|
sidebar_whitelist '/home/user/mailbox2'
|
||||||
|
|
||||||
# When searching for mailboxes containing new mail, should the search wrap
|
|
||||||
# around when it reaches the end of the list?
|
|
||||||
set sidebar_next_new_wrap = no
|
set sidebar_next_new_wrap = no
|
||||||
|
|
||||||
# The character to use as the divider between the Sidebar and the other Mutt
|
|
||||||
# panels.
|
|
||||||
# Note: Only the first character of this string is used.
|
|
||||||
set sidebar_divider_char = '|'
|
set sidebar_divider_char = '|'
|
||||||
|
|
||||||
# Enable extended buffy mode to calculate total, new, and flagged
|
|
||||||
# message counts for each mailbox.
|
|
||||||
set mail_check_stats
|
set mail_check_stats
|
||||||
|
|
||||||
# Display the Sidebar mailboxes using this format string.
|
|
||||||
set sidebar_format = '%B%?F? [%F]?%* %?N?%N/?%S'
|
set sidebar_format = '%B%?F? [%F]?%* %?N?%N/?%S'
|
||||||
|
|
||||||
# Sort the mailboxes in the Sidebar using this method:
|
|
||||||
# count - total number of messages
|
|
||||||
# flagged - number of flagged messages
|
|
||||||
# new - number of new messages
|
|
||||||
# path - mailbox path
|
|
||||||
# unsorted - do not sort the mailboxes
|
|
||||||
set sidebar_sort_method = 'unsorted'
|
set sidebar_sort_method = 'unsorted'
|
||||||
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
# FUNCTIONS - shown with an example mapping
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
|
|
||||||
# Move the highlight to the previous mailbox
|
|
||||||
bind index,pager \Cp sidebar-prev
|
bind index,pager \Cp sidebar-prev
|
||||||
|
|
||||||
# Move the highlight to the next mailbox
|
|
||||||
bind index,pager \Cn sidebar-next
|
bind index,pager \Cn sidebar-next
|
||||||
|
|
||||||
# Open the highlighted mailbox
|
|
||||||
bind index,pager \Co sidebar-open
|
bind index,pager \Co sidebar-open
|
||||||
|
|
||||||
# Move the highlight to the previous page
|
|
||||||
# This is useful if you have a LOT of mailboxes.
|
|
||||||
bind index,pager <F3> sidebar-page-up
|
bind index,pager <F3> sidebar-page-up
|
||||||
|
|
||||||
# Move the highlight to the next page
|
|
||||||
# This is useful if you have a LOT of mailboxes.
|
|
||||||
bind index,pager <F4> sidebar-page-down
|
bind index,pager <F4> sidebar-page-down
|
||||||
|
|
||||||
# Move the highlight to the previous mailbox containing new, or flagged,
|
|
||||||
# mail.
|
|
||||||
bind index,pager <F5> sidebar-prev-new
|
bind index,pager <F5> sidebar-prev-new
|
||||||
|
|
||||||
# Move the highlight to the next mailbox containing new, or flagged, mail.
|
|
||||||
bind index,pager <F6> sidebar-next-new
|
bind index,pager <F6> sidebar-next-new
|
||||||
|
|
||||||
# Toggle the visibility of the Sidebar.
|
|
||||||
bind index,pager B sidebar-toggle-visible
|
bind index,pager B sidebar-toggle-visible
|
||||||
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
# COLORS - some unpleasant examples are given
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
# Note: All color operations are of the form:
|
|
||||||
# color OBJECT FOREGROUND BACKGROUND
|
|
||||||
|
|
||||||
# Color of the current, open, mailbox
|
|
||||||
# Note: This is a general Mutt option which colors all selected items.
|
|
||||||
color indicator cyan black
|
color indicator cyan black
|
||||||
|
|
||||||
# Color of the highlighted, but not open, mailbox.
|
|
||||||
color sidebar_highlight black color8
|
color sidebar_highlight black color8
|
||||||
|
|
||||||
# Color of the divider separating the Sidebar from Mutt panels
|
|
||||||
color sidebar_divider color8 black
|
color sidebar_divider color8 black
|
||||||
|
|
||||||
# Color to give mailboxes containing flagged mail
|
|
||||||
color sidebar_flagged red black
|
color sidebar_flagged red black
|
||||||
|
|
||||||
# Color to give mailboxes containing new mail
|
|
||||||
color sidebar_new green black
|
color sidebar_new green black
|
||||||
|
|
||||||
# --------------------------------------------------------------------------
|
|
||||||
|
|
||||||
# vim: syntax=muttrc
|
|
||||||
|
|||||||
+8
-574
@@ -1,598 +1,32 @@
|
|||||||
##############################################################
|
|
||||||
## This is an example configuration file. Copy it to ##
|
|
||||||
## $XDG_CONFIG_HOME/ncmpcpp/config or $HOME/.ncmpcpp/config ##
|
|
||||||
## and set up your preferences. ##
|
|
||||||
##############################################################
|
|
||||||
#
|
|
||||||
##### directories ######
|
|
||||||
##
|
|
||||||
## Directory for storing ncmpcpp related files. Changing it is useful if you
|
|
||||||
## want to store everything somewhere else and provide command line setting for
|
|
||||||
## alternative location to config file which defines that while launching
|
|
||||||
## ncmpcpp.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
ncmpcpp_directory = ~/.config/ncmpcpp
|
ncmpcpp_directory = ~/.config/ncmpcpp
|
||||||
#
|
|
||||||
##
|
|
||||||
## Directory for storing downloaded lyrics. It defaults to ~/.lyrics since other
|
|
||||||
## MPD clients (eg. ncmpc) also use that location.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
lyrics_directory = ~/.local/share/mpd/lyrics
|
lyrics_directory = ~/.local/share/mpd/lyrics
|
||||||
#
|
|
||||||
##### connection settings #####
|
# MPD
|
||||||
#
|
|
||||||
mpd_host = localhost
|
mpd_host = localhost
|
||||||
#
|
|
||||||
mpd_port = 6600
|
mpd_port = 6600
|
||||||
#
|
|
||||||
#mpd_connection_timeout = 5
|
|
||||||
#
|
|
||||||
## Needed for tag editor and file operations to work.
|
|
||||||
##
|
|
||||||
mpd_music_dir = ~/Music
|
mpd_music_dir = ~/Music
|
||||||
#
|
|
||||||
mpd_crossfade_time = 10
|
mpd_crossfade_time = 10
|
||||||
#
|
|
||||||
# Exclude pattern for random song action
|
# Visualizer (reads mpd's "my_fifo" output)
|
||||||
# http://www.boost.org/doc/libs/1_46_1/libs/regex/doc/html/boost_regex/syntax/perl_syntax.html
|
|
||||||
#random_exclude_pattern = "^(temp|midi_songs).*"
|
|
||||||
#
|
|
||||||
##### music visualizer #####
|
|
||||||
##
|
|
||||||
## In order to make music visualizer work with MPD you need to use the fifo
|
|
||||||
## output. Its format parameter has to be set to 44100:16:1 for mono
|
|
||||||
## visualization or 44100:16:2 for stereo visualization. As an example here is
|
|
||||||
## the relevant section for mpd.conf:
|
|
||||||
##
|
|
||||||
## audio_output {
|
|
||||||
## type "fifo"
|
|
||||||
## name "Visualizer feed"
|
|
||||||
## path "/tmp/mpd.fifo"
|
|
||||||
## format "44100:16:2"
|
|
||||||
## }
|
|
||||||
##
|
|
||||||
## If the visualization on occasion diverges from the audio output, please set
|
|
||||||
## 'buffer_time' parameter of your audio output in mpd.conf to '100000' (100ms)
|
|
||||||
## or less to prevent that from happening.
|
|
||||||
##
|
|
||||||
## Note: If you're using Mopidy, an address of a udpsink gstreamer's output is
|
|
||||||
## also accepted. For example, the following section in mopidy.conf:
|
|
||||||
##
|
|
||||||
## [audio]
|
|
||||||
## output = tee name=t ! queue ! autoaudiosink t.
|
|
||||||
## ! queue ! audio/x-raw,rate=44100,channels=2,format=S16LE
|
|
||||||
## ! udpsink host=localhost port=5555
|
|
||||||
##
|
|
||||||
## will make localhost:5555 available as a source of data for the stereo
|
|
||||||
## visualizer.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
visualizer_data_source = /tmp/mpd.fifo
|
visualizer_data_source = /tmp/mpd.fifo
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: Below parameter is needed for ncmpcpp to determine which output
|
|
||||||
## provides data for visualizer and reset it at the beginning of visualization
|
|
||||||
## to synchronize with audio.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
visualizer_output_name = "my_fifo"
|
visualizer_output_name = "my_fifo"
|
||||||
#
|
|
||||||
##
|
|
||||||
## If you set format to 44100:16:2, make it 'yes'.
|
|
||||||
##
|
|
||||||
visualizer_in_stereo = yes
|
visualizer_in_stereo = yes
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: set below to >=10 only if you have synchronization issues with
|
|
||||||
## visualization and audio.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#visualizer_sync_interval = 0
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: To enable spectrum frequency visualization you need to compile ncmpcpp
|
|
||||||
## with fftw3 support.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
## Available values: spectrum, wave, wave_filled, ellipse.
|
|
||||||
##
|
|
||||||
visualizer_type = spectrum
|
visualizer_type = spectrum
|
||||||
#
|
|
||||||
#visualizer_fps = 60
|
|
||||||
#
|
|
||||||
#visualizer_autoscale = no
|
|
||||||
#
|
|
||||||
visualizer_look = ●▮
|
visualizer_look = ●▮
|
||||||
#
|
|
||||||
#visualizer_color = blue, cyan, green, yellow, magenta, red
|
# Interface
|
||||||
#
|
|
||||||
## Alternative subset of 256 colors for terminals that support it.
|
|
||||||
##
|
|
||||||
#visualizer_color = 47, 83, 119, 155, 191, 227, 221, 215, 209, 203, 197, 161
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: The next few visualization options apply to the spectrum visualizer.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
## Use unicode block characters for a smoother, more continuous look.
|
|
||||||
## This will override the visualizer_look option. With transparent terminals
|
|
||||||
## and visualizer_in_stereo set, artifacts may be visible on the bottom half of
|
|
||||||
## the visualization.
|
|
||||||
#
|
|
||||||
#visualizer_spectrum_smooth_look = yes
|
|
||||||
#
|
|
||||||
## A value between 1 and 5 inclusive. Specifying a larger value makes the
|
|
||||||
## visualizer look at a larger slice of time, which results in less jumpy
|
|
||||||
## visualizer output.
|
|
||||||
#
|
|
||||||
#visualizer_spectrum_dft_size = 2
|
|
||||||
#
|
|
||||||
#visualizer_spectrum_gain = 10
|
|
||||||
#
|
|
||||||
## Left-most frequency of visualizer in Hz, must be less than HZ MAX
|
|
||||||
#
|
|
||||||
#visualizer_spectrum_hz_min = 20
|
|
||||||
#
|
|
||||||
## Right-most frequency of visualizer in Hz, must be greater than HZ MIN
|
|
||||||
#
|
|
||||||
#visualizer_spectrum_hz_max = 20000
|
|
||||||
#
|
|
||||||
##### system encoding #####
|
|
||||||
##
|
|
||||||
## ncmpcpp should detect your charset encoding but if it failed to do so, you
|
|
||||||
## can specify charset encoding you are using here.
|
|
||||||
##
|
|
||||||
## Note: You can see whether your ncmpcpp build supports charset detection by
|
|
||||||
## checking output of `ncmpcpp --version`.
|
|
||||||
##
|
|
||||||
## Note: Since MPD uses UTF-8 by default, setting this option makes sense only
|
|
||||||
## if your encoding is different.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#system_encoding = ""
|
|
||||||
#
|
|
||||||
##### delays #####
|
|
||||||
#
|
|
||||||
## Time of inactivity (in seconds) after playlist highlighting will be disabled
|
|
||||||
## (0 = always on).
|
|
||||||
##
|
|
||||||
#playlist_disable_highlight_delay = 5
|
|
||||||
#
|
|
||||||
## Defines how long messages are supposed to be visible.
|
|
||||||
##
|
|
||||||
#message_delay_time = 5
|
|
||||||
#
|
|
||||||
##### song format #####
|
|
||||||
##
|
|
||||||
## For a song format you can use:
|
|
||||||
##
|
|
||||||
## %l - length
|
|
||||||
## %f - filename
|
|
||||||
## %D - directory
|
|
||||||
## %a - artist
|
|
||||||
## %A - album artist
|
|
||||||
## %t - title
|
|
||||||
## %b - album
|
|
||||||
## %y - date
|
|
||||||
## %n - track number (01/12 -> 01)
|
|
||||||
## %N - full track info (01/12 -> 01/12)
|
|
||||||
## %g - genre
|
|
||||||
## %c - composer
|
|
||||||
## %p - performer
|
|
||||||
## %d - disc
|
|
||||||
## %C - comment
|
|
||||||
## %P - priority
|
|
||||||
## $R - begin right alignment
|
|
||||||
##
|
|
||||||
## If you want to make sure that a part of the format is displayed only when
|
|
||||||
## certain tags are present, you can archieve it by grouping them with brackets,
|
|
||||||
## e.g. '{%a - %t}' will be evaluated to 'ARTIST - TITLE' if both tags are
|
|
||||||
## present or '' otherwise. It is also possible to define a list of
|
|
||||||
## alternatives by providing several groups and separating them with '|',
|
|
||||||
## e.g. '{%t}|{%f}' will be evaluated to 'TITLE' or 'FILENAME' if the former is
|
|
||||||
## not present.
|
|
||||||
##
|
|
||||||
## Note: If you want to set limit on maximal length of a tag, just put the
|
|
||||||
## appropriate number between % and character that defines tag type, e.g. to
|
|
||||||
## make album take max. 20 terminal cells, use '%20b'.
|
|
||||||
##
|
|
||||||
## In addition, formats support markers used for text attributes. They are
|
|
||||||
## followed by character '$'. After that you can put:
|
|
||||||
##
|
|
||||||
## - 0 - default window color (discards all other colors)
|
|
||||||
## - 1 - black
|
|
||||||
## - 2 - red
|
|
||||||
## - 3 - green
|
|
||||||
## - 4 - yellow
|
|
||||||
## - 5 - blue
|
|
||||||
## - 6 - magenta
|
|
||||||
## - 7 - cyan
|
|
||||||
## - 8 - white
|
|
||||||
## - 9 - end of current color
|
|
||||||
## - b - bold text
|
|
||||||
## - u - underline text
|
|
||||||
## - r - reverse colors
|
|
||||||
## - a - use alternative character set
|
|
||||||
##
|
|
||||||
## If you don't want to use a non-color attribute anymore, just put it again,
|
|
||||||
## but this time insert character '/' between '$' and attribute character,
|
|
||||||
## e.g. {$b%t$/b}|{$r%f$/r} will display bolded title tag or filename with
|
|
||||||
## reversed colors.
|
|
||||||
##
|
|
||||||
## If you want to use 256 colors and/or background colors in formats (the naming
|
|
||||||
## scheme is described below in section about color definitions), it can be done
|
|
||||||
## with the syntax $(COLOR), e.g. to set the artist tag to one of the
|
|
||||||
## non-standard colors and make it have yellow background, you need to write
|
|
||||||
## $(197_yellow)%a$(end). Note that for standard colors this is interchangable
|
|
||||||
## with attributes listed above.
|
|
||||||
##
|
|
||||||
## Note: colors can be nested.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#song_list_format = {%a - }{%t}|{$8%f$9}$R{$3%l$9}
|
|
||||||
#
|
|
||||||
#song_status_format = {{%a{ "%b"{ (%y)}} - }{%t}}|{%f}
|
|
||||||
#
|
|
||||||
#song_library_format = {%n - }{%t}|{%f}
|
|
||||||
#
|
|
||||||
#alternative_header_first_line_format = $b$1$aqqu$/a$9 {%t}|{%f} $1$atqq$/a$9$/b
|
|
||||||
#
|
|
||||||
#alternative_header_second_line_format = {{$4$b%a$/b$9}{ - $7%b$9}{ ($4%y$9)}}|{%D}
|
|
||||||
#
|
|
||||||
#current_item_prefix = $(yellow)$r
|
|
||||||
#
|
|
||||||
#current_item_suffix = $/r$(end)
|
|
||||||
#
|
|
||||||
#current_item_inactive_column_prefix = $(white)$r
|
|
||||||
#
|
|
||||||
#current_item_inactive_column_suffix = $/r$(end)
|
|
||||||
#
|
|
||||||
#now_playing_prefix = $b
|
|
||||||
#
|
|
||||||
#now_playing_suffix = $/b
|
|
||||||
#
|
|
||||||
#browser_playlist_prefix = "$2playlist$9 "
|
|
||||||
#
|
|
||||||
#selected_item_prefix = $6
|
|
||||||
#
|
|
||||||
#selected_item_suffix = $9
|
|
||||||
#
|
|
||||||
#modified_item_prefix = $3> $9
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: attributes are not supported for the following variables.
|
|
||||||
##
|
|
||||||
#song_window_title_format = {%a - }{%t}|{%f}
|
|
||||||
##
|
|
||||||
## Note: Below variables are used for sorting songs in browser. The sort mode
|
|
||||||
## determines how songs are sorted, and can be used in combination with a sort
|
|
||||||
## format to specify a custom sorting format. Available values for
|
|
||||||
## browser_sort_mode are "type", "name", "mtime", "format" and "none".
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#browser_sort_mode = type
|
|
||||||
#
|
|
||||||
#browser_sort_format = {%a - }{%t}|{%f} {%l}
|
|
||||||
#
|
|
||||||
##### columns settings #####
|
|
||||||
##
|
|
||||||
## syntax of song columns list format is "column column etc."
|
|
||||||
##
|
|
||||||
## - syntax for each column is:
|
|
||||||
##
|
|
||||||
## (width of the column)[color of the column]{displayed tag}
|
|
||||||
##
|
|
||||||
## Note: Width is by default in %, if you want a column to have fixed size, add
|
|
||||||
## 'f' after the value, e.g. (10)[white]{a} will be the column that take 10% of
|
|
||||||
## screen (so the real width will depend on actual screen size), whereas
|
|
||||||
## (10f)[white]{a} will take 10 terminal cells, no matter how wide the screen
|
|
||||||
## is.
|
|
||||||
##
|
|
||||||
## - color is optional (if you want the default one, leave the field empty).
|
|
||||||
##
|
|
||||||
## Note: You can give a column additional attributes by putting appropriate
|
|
||||||
## character after displayed tag character. Available attributes are:
|
|
||||||
##
|
|
||||||
## - r - column will be right aligned
|
|
||||||
## - E - if tag is empty, empty tag marker won't be displayed
|
|
||||||
##
|
|
||||||
## You can also:
|
|
||||||
##
|
|
||||||
## - give a column custom name by putting it after attributes, separated with
|
|
||||||
## character ':', e.g. {lr:Length} gives you right aligned column of lengths
|
|
||||||
## named "Length".
|
|
||||||
##
|
|
||||||
## - define sequence of tags, that have to be displayed in case predecessor is
|
|
||||||
## empty in a way similar to the one in classic song format, i.e. using '|'
|
|
||||||
## character, e.g. {a|c|p:Owner} creates column named "Owner" that tries to
|
|
||||||
## display artist tag and then composer and performer if previous ones are not
|
|
||||||
## available.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#song_columns_list_format = (20)[]{a} (6f)[green]{NE} (50)[white]{t|f:Title} (20)[cyan]{b} (7f)[magenta]{l}
|
|
||||||
#
|
|
||||||
##### various settings #####
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: Custom command that will be executed each time song changes. Useful for
|
|
||||||
## notifications etc.
|
|
||||||
##
|
|
||||||
#execute_on_song_change =
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: Custom command that will be executed each time player state
|
|
||||||
## changes. The environment variable MPD_PLAYER_STATE is set to the current
|
|
||||||
## state (either unknown, play, pause, or stop) for its duration.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#execute_on_player_state_change =
|
|
||||||
#
|
|
||||||
#playlist_show_mpd_host = no
|
|
||||||
#
|
|
||||||
#playlist_show_remaining_time = no
|
|
||||||
#
|
|
||||||
#playlist_shorten_total_times = no
|
|
||||||
#
|
|
||||||
#playlist_separate_albums = no
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: Possible display modes: classic, columns.
|
|
||||||
##
|
|
||||||
#playlist_display_mode = columns
|
|
||||||
#
|
|
||||||
#browser_display_mode = classic
|
|
||||||
#
|
|
||||||
#search_engine_display_mode = classic
|
|
||||||
#
|
|
||||||
#playlist_editor_display_mode = classic
|
|
||||||
#
|
|
||||||
#discard_colors_if_item_is_selected = yes
|
|
||||||
#
|
|
||||||
#show_duplicate_tags = yes
|
|
||||||
#
|
|
||||||
#incremental_seeking = yes
|
|
||||||
#
|
|
||||||
#seek_time = 1
|
|
||||||
#
|
|
||||||
#volume_change_step = 2
|
|
||||||
#
|
|
||||||
#autocenter_mode = no
|
|
||||||
#
|
|
||||||
#centered_cursor = no
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: You can specify third character which will be used to build 'empty'
|
|
||||||
## part of progressbar.
|
|
||||||
##
|
|
||||||
#progressbar_look = =>
|
|
||||||
#
|
|
||||||
## Available values: database, playlist.
|
|
||||||
##
|
|
||||||
#default_place_to_search_in = database
|
|
||||||
#
|
|
||||||
## Available values: classic, alternative.
|
|
||||||
##
|
|
||||||
user_interface = alternative
|
user_interface = alternative
|
||||||
#
|
|
||||||
#data_fetching_delay = yes
|
|
||||||
#
|
|
||||||
## Available values: artist, album_artist, date, genre, composer, performer.
|
|
||||||
##
|
|
||||||
media_library_primary_tag = album_artist
|
media_library_primary_tag = album_artist
|
||||||
#
|
|
||||||
#media_library_albums_split_by_date = yes
|
|
||||||
#
|
|
||||||
#media_library_hide_album_dates = no
|
|
||||||
#
|
|
||||||
## Available values: wrapped, normal.
|
|
||||||
##
|
|
||||||
#default_find_mode = wrapped
|
|
||||||
#
|
|
||||||
#default_tag_editor_pattern = %n - %t
|
|
||||||
#
|
|
||||||
#header_visibility = yes
|
|
||||||
#
|
|
||||||
#statusbar_visibility = yes
|
|
||||||
#
|
|
||||||
## Show the "Connected to ..." message on startup
|
|
||||||
#connected_message_on_startup = yes
|
|
||||||
#
|
|
||||||
#titles_visibility = yes
|
|
||||||
#
|
|
||||||
#header_text_scrolling = yes
|
|
||||||
#
|
|
||||||
#cyclic_scrolling = no
|
|
||||||
#
|
|
||||||
lyrics_fetchers = musixmatch, sing365, metrolyrics, justsomelyrics, jahlyrics, plyrics, tekstowo, zeneszoveg, genius, azlyrics, internet
|
lyrics_fetchers = musixmatch, sing365, metrolyrics, justsomelyrics, jahlyrics, plyrics, tekstowo, zeneszoveg, genius, azlyrics, internet
|
||||||
#
|
|
||||||
#follow_now_playing_lyrics = no
|
|
||||||
#
|
|
||||||
#fetch_lyrics_for_current_song_in_background = no
|
|
||||||
#
|
|
||||||
#store_lyrics_in_song_dir = no
|
|
||||||
#
|
|
||||||
#generate_win32_compatible_filenames = yes
|
|
||||||
#
|
|
||||||
#allow_for_physical_item_deletion = no
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: If you set this variable, ncmpcpp will try to get info from last.fm in
|
|
||||||
## language you set and if it fails, it will fall back to english. Otherwise it
|
|
||||||
## will use english the first time.
|
|
||||||
##
|
|
||||||
## Note: Language has to be expressed as an ISO 639 alpha-2 code.
|
|
||||||
##
|
|
||||||
#lastfm_preferred_language = en
|
|
||||||
#
|
|
||||||
#space_add_mode = add_remove
|
|
||||||
#
|
|
||||||
#show_hidden_files_in_local_browser = no
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## How shall screen switcher work?
|
|
||||||
##
|
|
||||||
## - "previous" - switch between the current and previous screen.
|
|
||||||
## - "screen1,...,screenN" - switch between given sequence of screens.
|
|
||||||
##
|
|
||||||
## Screens available for use: help, playlist, browser, search_engine,
|
|
||||||
## media_library, playlist_editor, tag_editor, outputs, visualizer, clock,
|
|
||||||
## lyrics, last_fm.
|
|
||||||
##
|
|
||||||
#screen_switcher_mode = playlist, browser
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: You can define startup screen by choosing screen from the list above.
|
|
||||||
##
|
|
||||||
startup_screen = media_library
|
startup_screen = media_library
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: You can define startup slave screen by choosing screen from the list
|
|
||||||
## above or an empty value for no slave screen.
|
|
||||||
##
|
|
||||||
#startup_slave_screen = playlist
|
|
||||||
#
|
|
||||||
#startup_slave_screen_focus = no
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Default width of locked screen (in %). Acceptable values are from 20 to 80.
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#locked_screen_width_part = 60
|
|
||||||
#
|
|
||||||
#ask_for_locked_screen_width_part = yes
|
|
||||||
#
|
|
||||||
#jump_to_now_playing_song_at_start = yes
|
|
||||||
#
|
|
||||||
#ask_before_clearing_playlists = yes
|
|
||||||
#
|
|
||||||
#clock_display_seconds = no
|
|
||||||
#
|
|
||||||
#display_volume_level = yes
|
|
||||||
#
|
|
||||||
#display_bitrate = no
|
|
||||||
#
|
|
||||||
#display_remaining_time = no
|
|
||||||
#
|
|
||||||
## Available values: none, basic, extended, perl.
|
|
||||||
##
|
|
||||||
#regular_expressions = perl
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: if below is enabled, ncmpcpp will ignore leading "The" word while
|
|
||||||
## sorting items in browser, tags in media library, etc.
|
|
||||||
##
|
|
||||||
ignore_leading_the = yes
|
ignore_leading_the = yes
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: if below is enabled, ncmpcpp will ignore diacritics while searching and
|
|
||||||
## filtering lists. This takes an effect only if boost was compiled with ICU
|
|
||||||
## support.
|
|
||||||
##
|
|
||||||
#ignore_diacritics = no
|
|
||||||
#
|
|
||||||
#block_search_constraints_change_if_items_found = yes
|
|
||||||
#
|
|
||||||
#mouse_support = yes
|
|
||||||
#
|
|
||||||
#mouse_list_scroll_whole_page = no
|
|
||||||
#
|
|
||||||
#lines_scrolled = 5
|
|
||||||
#
|
|
||||||
#empty_tag_marker = <empty>
|
|
||||||
#
|
|
||||||
#tags_separator = " | "
|
|
||||||
#
|
|
||||||
#tag_editor_extended_numeration = no
|
|
||||||
#
|
|
||||||
#media_library_sort_by_mtime = no
|
|
||||||
#
|
|
||||||
#enable_window_title = yes
|
|
||||||
#
|
|
||||||
##
|
|
||||||
## Note: You can choose default search mode for search engine. Available modes
|
|
||||||
## are:
|
|
||||||
##
|
|
||||||
## - 1 - use mpd built-in searching (no regexes, pattern matching)
|
|
||||||
##
|
|
||||||
## - 2 - use ncmpcpp searching (pattern matching with support for regexes, but
|
|
||||||
## if your mpd is on a remote machine, downloading big database to process
|
|
||||||
## it can take a while
|
|
||||||
##
|
|
||||||
## - 3 - match only exact values (this mode uses mpd function for searching in
|
|
||||||
## database and local one for searching in current playlist)
|
|
||||||
##
|
|
||||||
#
|
|
||||||
#search_engine_default_search_mode = 1
|
|
||||||
#
|
|
||||||
external_editor = vim
|
external_editor = vim
|
||||||
#
|
|
||||||
## Note: set to yes if external editor is a console application.
|
|
||||||
##
|
|
||||||
use_console_editor = yes
|
use_console_editor = yes
|
||||||
#
|
|
||||||
##### colors definitions #####
|
# Colors
|
||||||
##
|
|
||||||
## It is possible to set a background color by setting a color value
|
|
||||||
## "<foreground>_<background>", e.g. red_black will set foregound color to red
|
|
||||||
## and background color to black.
|
|
||||||
##
|
|
||||||
## In addition, for terminals that support 256 colors it is possible to set one
|
|
||||||
## of them by using a number in range [1, 256] instead of color name,
|
|
||||||
## e.g. numerical value corresponding to red_black is 2_1. To find out if the
|
|
||||||
## terminal supports 256 colors, run ncmpcpp and check out the bottom of the
|
|
||||||
## help screen for list of available colors and their numerical values.
|
|
||||||
##
|
|
||||||
## What is more, there are two special values for the background color:
|
|
||||||
## "transparent" and "current". The first one explicitly sets the background to
|
|
||||||
## be transparent, while the second one allows you to preserve current
|
|
||||||
## background color and change only the foreground one. It's used implicitly
|
|
||||||
## when background color is not specified.
|
|
||||||
##
|
|
||||||
## Moreover, it is possible to attach format information to selected color
|
|
||||||
## variables by appending to their end a colon followed by one or more format
|
|
||||||
## flags, e.g. black:b or red:ur. The following variables support this syntax:
|
|
||||||
## visualizer_color, color1, color2, empty_tag_color, volume_color,
|
|
||||||
## state_line_color, state_flags_color, progressbar_color,
|
|
||||||
## progressbar_elapsed_color, player_state_color, statusbar_time_color,
|
|
||||||
## alternative_ui_separator_color.
|
|
||||||
##
|
|
||||||
## Note: due to technical limitations of older ncurses version, if 256 colors
|
|
||||||
## are used there is a possibility that you'll be able to use only colors with
|
|
||||||
## transparent background.
|
|
||||||
#
|
|
||||||
colors_enabled = yes
|
colors_enabled = yes
|
||||||
#
|
|
||||||
#empty_tag_color = cyan
|
|
||||||
#
|
|
||||||
header_window_color = 226
|
header_window_color = 226
|
||||||
#
|
|
||||||
#volume_color = default
|
|
||||||
#
|
|
||||||
#state_line_color = default
|
|
||||||
#
|
|
||||||
#state_flags_color = default:b
|
|
||||||
#
|
|
||||||
main_window_color = 160
|
main_window_color = 160
|
||||||
#
|
|
||||||
#color1 = white
|
|
||||||
#
|
|
||||||
#color2 = green
|
|
||||||
#
|
|
||||||
#progressbar_color = black:b
|
|
||||||
#
|
|
||||||
progressbar_elapsed_color = 226:b
|
progressbar_elapsed_color = 226:b
|
||||||
#
|
|
||||||
statusbar_color = 226
|
statusbar_color = 226
|
||||||
#
|
|
||||||
#statusbar_time_color = default:b
|
|
||||||
#
|
|
||||||
#player_state_color = default:b
|
|
||||||
#
|
|
||||||
#alternative_ui_separator_color = black:b
|
|
||||||
#
|
|
||||||
window_border_color = 226
|
window_border_color = 226
|
||||||
#
|
|
||||||
#active_window_border = red
|
|
||||||
#
|
|
||||||
|
|||||||
+13
-286
@@ -1,287 +1,24 @@
|
|||||||
#################################
|
|
||||||
# Shadows #
|
|
||||||
#################################
|
|
||||||
|
|
||||||
# Enabled client-side shadows on windows. Note desktop windows
|
|
||||||
# (windows with '_NET_WM_WINDOW_TYPE_DESKTOP') never get shadow,
|
|
||||||
# unless explicitly requested using the wintypes option.
|
|
||||||
#
|
|
||||||
# Can be set per-window using rules.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
shadow = true;
|
|
||||||
|
|
||||||
# The blur radius for shadows, in pixels.
|
|
||||||
#
|
|
||||||
# Default: 12
|
|
||||||
shadow-radius = 7;
|
|
||||||
|
|
||||||
# The opacity of shadows.
|
|
||||||
#
|
|
||||||
# Range: 0.0 - 1.0
|
|
||||||
# Default: 0.75
|
|
||||||
# shadow-opacity = .75
|
|
||||||
|
|
||||||
# The left offset for shadows, in pixels.
|
|
||||||
#
|
|
||||||
# Default: -15
|
|
||||||
shadow-offset-x = -7;
|
|
||||||
|
|
||||||
# The top offset for shadows, in pixels.
|
|
||||||
#
|
|
||||||
# Default: -15
|
|
||||||
shadow-offset-y = -7;
|
|
||||||
|
|
||||||
# Hex string color value of shadow. Formatted like "#RRGGBB", e.g. "#C0FFEE".
|
|
||||||
#
|
|
||||||
# Default: #000000
|
|
||||||
# shadow-color = "#000000"
|
|
||||||
|
|
||||||
# Crop shadow of a window fully on a particular monitor to that monitor. This is
|
|
||||||
# currently implemented using the X RandR extension.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# crop-shadow-to-monitor = false
|
|
||||||
|
|
||||||
|
|
||||||
#################################
|
|
||||||
# Fading #
|
|
||||||
#################################
|
|
||||||
|
|
||||||
# Fade windows in/out when opening/closing and when opacity changes,
|
|
||||||
# unless no-fading-openclose is used. Can be set per-window using rules.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
fading = true;
|
|
||||||
|
|
||||||
# Opacity change between steps while fading in. (0.01 - 1.0, defaults to 0.028)
|
|
||||||
fade-in-step = 0.03;
|
|
||||||
|
|
||||||
# Opacity change between steps while fading out. (0.01 - 1.0, defaults to 0.03)
|
|
||||||
fade-out-step = 0.03;
|
|
||||||
|
|
||||||
# The time between steps in fade step, in milliseconds. (> 0, defaults to 10)
|
|
||||||
# fade-delta = 10
|
|
||||||
|
|
||||||
# Do not fade on window open/close.
|
|
||||||
# no-fading-openclose = false
|
|
||||||
|
|
||||||
# Do not fade destroyed ARGB windows with WM frame. Workaround of bugs in Openbox, Fluxbox, etc.
|
|
||||||
# no-fading-destroyed-argb = false
|
|
||||||
|
|
||||||
|
|
||||||
#################################
|
|
||||||
# Transparency / Opacity #
|
|
||||||
#################################
|
|
||||||
|
|
||||||
# Opacity of window titlebars and borders.
|
|
||||||
#
|
|
||||||
# Range: 0.1 - 1.0
|
|
||||||
# Default: 1.0 (disabled)
|
|
||||||
frame-opacity = 0.9;
|
|
||||||
|
|
||||||
# Use fixed inactive dim value, instead of adjusting according to window opacity.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# inactive-dim-fixed = true
|
|
||||||
|
|
||||||
#################################
|
|
||||||
# Corners #
|
|
||||||
#################################
|
|
||||||
|
|
||||||
# Sets the radius of rounded window corners. When > 0, the compositor will
|
|
||||||
# round the corners of windows. Does not interact well with
|
|
||||||
# `transparent-clipping`.
|
|
||||||
#
|
|
||||||
# Default: 0 (disabled)
|
|
||||||
corner-radius = 0
|
|
||||||
|
|
||||||
#################################
|
|
||||||
# Blur #
|
|
||||||
#################################
|
|
||||||
|
|
||||||
# Parameters for background blurring, see BLUR section in the man page for more information.
|
|
||||||
# blur-method =
|
|
||||||
# blur-size = 12
|
|
||||||
#
|
|
||||||
# blur-deviation = false
|
|
||||||
#
|
|
||||||
# blur-strength = 5
|
|
||||||
|
|
||||||
# Blur background of semi-transparent / ARGB windows.
|
|
||||||
# Can be set per-window using rules.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# blur-background = false
|
|
||||||
|
|
||||||
# Blur background of windows when the window frame is not opaque.
|
|
||||||
# Implies:
|
|
||||||
# blur-background
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# blur-background-frame = false
|
|
||||||
|
|
||||||
# Use fixed blur strength rather than adjusting according to window opacity.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# blur-background-fixed = false
|
|
||||||
|
|
||||||
|
|
||||||
# Specify the blur convolution kernel, with the following format:
|
|
||||||
# example:
|
|
||||||
# blur-kern = "5,5,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1";
|
|
||||||
# Can also be a pre-defined kernel, see the man page.
|
|
||||||
#
|
|
||||||
# Default: ""
|
|
||||||
blur-kern = "3x3box";
|
|
||||||
|
|
||||||
#################################
|
|
||||||
# General Settings #
|
|
||||||
#################################
|
|
||||||
|
|
||||||
# Enable remote control via D-Bus. See the man page for more details.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# dbus = true
|
|
||||||
|
|
||||||
# Daemonize process. Fork to background after initialization. Causes issues with certain (badly-written) drivers.
|
|
||||||
# daemon = false
|
|
||||||
|
|
||||||
# Specify the backend to use: `xrender`, `glx`, or `egl`.
|
|
||||||
#
|
|
||||||
# Default: "xrender"
|
|
||||||
backend = "xrender"
|
backend = "xrender"
|
||||||
|
|
||||||
# Use higher precision during rendering, and apply dither when presenting the
|
|
||||||
# rendered screen. Reduces banding artifacts, but may cause performance
|
|
||||||
# degradation. Only works with OpenGL.
|
|
||||||
dithered-present = false;
|
dithered-present = false;
|
||||||
|
|
||||||
# Enable/disable VSync.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# vsync = true;
|
|
||||||
|
|
||||||
# Try to detect windows with rounded corners and don't consider them
|
|
||||||
# shaped windows. The accuracy is not very high, unfortunately.
|
|
||||||
#
|
|
||||||
# Has nothing to do with `corner-radius`.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
detect-rounded-corners = true;
|
|
||||||
|
|
||||||
# Detect '_NET_WM_WINDOW_OPACITY' on client windows, useful for window managers
|
|
||||||
# not passing '_NET_WM_WINDOW_OPACITY' of client windows to frame windows.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
detect-client-opacity = true;
|
|
||||||
|
|
||||||
# Use EWMH '_NET_ACTIVE_WINDOW' to determine currently focused window,
|
|
||||||
# rather than listening to 'FocusIn'/'FocusOut' event. May be more accurate,
|
|
||||||
# provided that the WM supports it.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# use-ewmh-active-win = false
|
|
||||||
|
|
||||||
# Unredirect all windows if a full-screen opaque window is detected,
|
|
||||||
# to maximize performance for full-screen windows. Known to cause flickering
|
|
||||||
# when redirecting/unredirecting windows.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# unredir-if-possible = false
|
|
||||||
|
|
||||||
# Delay before unredirecting the window, in milliseconds.
|
|
||||||
#
|
|
||||||
# Default: 0.
|
|
||||||
# unredir-if-possible-delay = 0
|
|
||||||
|
|
||||||
# Use 'WM_TRANSIENT_FOR' to group windows, and consider windows
|
|
||||||
# in the same group focused at the same time.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
detect-transient = true;
|
|
||||||
|
|
||||||
# Use 'WM_CLIENT_LEADER' to group windows, and consider windows in the same
|
|
||||||
# group focused at the same time. This usually means windows from the same application
|
|
||||||
# will be considered focused or unfocused at the same time.
|
|
||||||
# 'WM_TRANSIENT_FOR' has higher priority if detect-transient is enabled, too.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# detect-client-leader = false
|
|
||||||
|
|
||||||
# Use of damage information for rendering. This cause the only the part of the
|
|
||||||
# screen that has actually changed to be redrawn, instead of the whole screen
|
|
||||||
# every time. Should improve performance.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
use-damage = true;
|
use-damage = true;
|
||||||
|
|
||||||
# Use X Sync fence to wait for the completion of rendering of other windows,
|
shadow = true;
|
||||||
# before using their content to render the current screen.
|
shadow-radius = 7;
|
||||||
#
|
shadow-offset-x = -7;
|
||||||
# Required for explicit sync drivers, such as nvidia.
|
shadow-offset-y = -7;
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# xrender-sync-fence = false
|
|
||||||
|
|
||||||
# GLX backend: Use specified GLSL fragment shader for rendering window
|
fading = true;
|
||||||
# contents. Read the man page for a detailed explanation of the interface.
|
fade-in-step = 0.03;
|
||||||
#
|
fade-out-step = 0.03;
|
||||||
# Can be set per-window using rules.
|
|
||||||
#
|
|
||||||
# window-shader-fg = "default"
|
|
||||||
|
|
||||||
# Force all windows to be painted with blending. Useful if you
|
frame-opacity = 0.9;
|
||||||
# have a `window-shader-fg` that could turn opaque pixels transparent.
|
corner-radius = 0
|
||||||
#
|
blur-kern = "3x3box";
|
||||||
# Default: false
|
|
||||||
# force-win-blend = false
|
|
||||||
|
|
||||||
# Do not use EWMH to detect fullscreen windows.
|
detect-rounded-corners = true;
|
||||||
# Reverts to checking if a window is fullscreen based only on its size and coordinates.
|
detect-client-opacity = true;
|
||||||
#
|
detect-transient = true;
|
||||||
# Default: false
|
|
||||||
# no-ewmh-fullscreen = false
|
|
||||||
|
|
||||||
# Dimming bright windows so their brightness doesn't exceed this set value.
|
|
||||||
# Brightness of a window is estimated by averaging all pixels in the window,
|
|
||||||
# so this could comes with a performance hit.
|
|
||||||
# Setting this to 1.0 disables this behaviour. Requires --use-damage to be disabled.
|
|
||||||
#
|
|
||||||
# Default: 1.0 (disabled)
|
|
||||||
# max-brightness = 1.0
|
|
||||||
|
|
||||||
# Make transparent windows clip other windows like non-transparent windows do,
|
|
||||||
# instead of blending on top of them. e.g. placing a transparent window on top
|
|
||||||
# of another window will cut a "hole" in that window, and show the desktop background
|
|
||||||
# underneath.
|
|
||||||
#
|
|
||||||
# Default: false
|
|
||||||
# transparent-clipping = false
|
|
||||||
|
|
||||||
# Set the log level. Possible values are:
|
|
||||||
# "trace", "debug", "info", "warn", "error"
|
|
||||||
# in increasing level of importance. Case insensitive.
|
|
||||||
# If using the "TRACE" log level, it's better to log into a file
|
|
||||||
# using *--log-file*, since it can generate a huge stream of logs.
|
|
||||||
#
|
|
||||||
# Default: "warn"
|
|
||||||
# log-level = "warn";
|
|
||||||
|
|
||||||
# Set the log file.
|
|
||||||
# If *--log-file* is never specified, logs will be written to stderr.
|
|
||||||
# Otherwise, logs will to written to the given file, though some of the early
|
|
||||||
# logs might still be written to the stderr.
|
|
||||||
# When setting this option from the config file, it is recommended to use an absolute path.
|
|
||||||
#
|
|
||||||
# log-file = "/path/to/your/log/file"
|
|
||||||
|
|
||||||
# Write process ID to a file.
|
|
||||||
# write-pid-path = "/path/to/your/log/file"
|
|
||||||
|
|
||||||
# Rule-based per-window options.
|
|
||||||
#
|
|
||||||
# See WINDOW RULES section in the man page for how these work.
|
|
||||||
rules: ({
|
rules: ({
|
||||||
match = "window_type = 'tooltip'";
|
match = "window_type = 'tooltip'";
|
||||||
fade = false;
|
fade = false;
|
||||||
@@ -293,9 +30,6 @@ rules: ({
|
|||||||
"window_type = 'desktop' || "
|
"window_type = 'desktop' || "
|
||||||
"_GTK_FRAME_EXTENTS@";
|
"_GTK_FRAME_EXTENTS@";
|
||||||
blur-background = false;
|
blur-background = false;
|
||||||
}, {
|
|
||||||
match = "window_type != 'dock'";
|
|
||||||
# shader = "my_shader.frag";
|
|
||||||
}, {
|
}, {
|
||||||
match = "window_type = 'dock' || "
|
match = "window_type = 'dock' || "
|
||||||
"window_type = 'desktop'";
|
"window_type = 'desktop'";
|
||||||
@@ -308,10 +42,3 @@ rules: ({
|
|||||||
"_GTK_FRAME_EXTENTS@";
|
"_GTK_FRAME_EXTENTS@";
|
||||||
shadow = false;
|
shadow = false;
|
||||||
})
|
})
|
||||||
|
|
||||||
# `@include` directive can be used to include additional configuration files.
|
|
||||||
# Relative paths are search either in the parent of this configuration file
|
|
||||||
# (when the configuration is loaded through a symlink, the symlink will be
|
|
||||||
# resolved first). Or in `$XDG_CONFIG_HOME/picom/include`.
|
|
||||||
#
|
|
||||||
# @include "extra.conf"
|
|
||||||
|
|||||||
Reference in New Issue
Block a user